I had no idea when I accepted the Healthy Kids, Healthy Communities Project Coordinator position how much my life would change. It has been four months of challenges, discovery, and absolute joy. For those of you who don't know what I'm doing, here's a brief recap: I'm coordinating a four-year Robert Wood Johnson Foundation grant called "Healthy Kids, Healthy Communities," which supports community action to prevent childhood obesity. We are tackling the childhood obesity epidemic in Jefferson County, Alabama in a number of ways:
a)creating community engagement and advocacy (grassroots outreach)
b)implementing policy changes that affect nutirional environment(access to heathier foods) & our constructed environment (safer sidewalks, bike lanes, greenway connectors)
c)creating opportunities for healthier snacks and physical activity in our child care centers Read more...
Alabama School of Fine Arts and Jones Valley Urban Farms teamed up several years ago and designed a program to benefit the school, the farm and the surrounding community. Rachel Reinhart, Program Director for JVUF, had this to say about their relationship: Read more...
Paint the Town Red is a baby, technically not even a year old. That doesn’t mean it won’t impress you. Its creative genius thrives on the brainpower of artists and organizers all under the age of 35. The vibrancy and ingenuity of the festival wouldn’t be possible without fresh ambitions and neither would the art. Paint the Town Red is a digital arts festival hosted in downtown Birmingham’s loft district. PTTR uses the blank brick walls and storefronts of 2nd Avenue North to project graphic art, digital photography and animated shorts. It doesn’t stop there, not only does the festival use downtown as its canvas, it also presents live local music and great local food. To top it all off, the event is a fundraiser for the American Red Cross.
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Years ago, Birmingham had a youth orchestra overseen by and affiliated with Alabama Symphony Orchestra. With the ASO's bankruptcy and subsequent healing campaign, the youth orchestra was effectively lost. A huge void was left as a result. Other than school bands, the city of Birmingham has few opportunities for young musicians to experience the craft and repertoire of ensemble, particularly for stringed instruments. The ASO has a new initiative in place that will revive their youth orchestra program beginning in September of this year.
In 2007, after years of hard work raising funds and building awareness, the ASO hired Conductor Justin Brown. This has proven to be a magnificent turning point for the symphony program. Brown has brought great energy and fresh ideas to the program here in Birmingham. One of the first things on his list when he arrived? A Youth Orchestra. ASO Education Director Meaghan Heinrich and I spoke about their plans for the youth orchestra last week. Read more...
The Birmingham Terminal was a fixture in the adolescence of our city. At its peak, it was a daily stop for 54 trains, transporting visitors and residents from all over the United States onto the front porch of Birmingham, which was at the time alive with a booming steel economy. When passengers stepped out of the 7,600 square foot waiting room, they were greeted with a large electric sign reading, “Birmingham, The Magic City.” Magic because it erupted seemingly overnight from a town with a mere 1,000 residents into the largest manufacturer of iron in the world with over 20,000 workers in the mining industry. If you’re a native Birminghamian, it’s possible that your grandparents or great grandparents arrived through those gates, determining your birthplace.
If you look at where the terminal stood 80 years ago, you won’t see it. Instead, you’ll see the section of the Red Mountain Expressway that connects Highways 31/280 and 20/59. The 64-foot dome isn’t there, the ornamented skylight vanished, but if you said that the terminal is no longer here, you’d be dead wrong.
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I was born in Birmingham, was once a young Birminghamian, and being a Baby Boomer and a fan of Peter Pan, my heart still believes that I won’t grow up. But my mind perceives I am no longer all that young, since one of the youngest Birminghamians I know is my granddaughter Emmeline Violet Glenn. She was born last July 7 – or 7-7 – appropriate since she is the seventh generation Birminghamian in my family. She was named for the sister of my great-great-grandfather.
I hope Emmeline is a grandmother worshipper. She actually already shows signs that she might be, breaking into a big grin and immediately waving goodbye to her mother, my daughter Elin, when she arrives at my house every Friday morning. I adored both of my grandmothers, but the one in this line of the family of whom I am writing, Dorothy Bowron Collins, likewise had a cherished relationship with her grandfather, the Englishman and Southern steel industrialist, James Bowron. The name is pronounced as a gentleman’s genuflection (bow) and a sprint or race (run).
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The photographs of Katharine Buckley that perhaps create an immediate impression are those characterized by their radiance and clarity. Describing the pictures, Buckley (age 17) uses such words as “whimsicality,” “vitality,” “youthfulness.” They indeed have an aura of spring and summer, suffused with green colors and sunlight, “bokeh” effects of blurred discs of light, young women’s faces. 
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I wonder how my life would have been different had I attended one of these conferences.
Developing your sense of identity as a young lady is a challenge all on its own. When you are a teenage girl, distractions range from boys, boys, boys to drugs, popularity, family, and plain old peer pressure. If we all just had one day to focus on our future and be surrounded with like minded girls, if we had just one day to be in the presence of real role models with real, meaningful advice for us, what choices would we have made differently? What kind of future could we have created for ourselves? Read more...
Pavo proudly presents young people in Birmingham who are making a difference. Our first Young Birminghamian is Haley Hurowitz, who was recently accepted into the United States Naval Observatory internship in Washington, DC, an honor awarded to only nine students each year. Pavo congratulates you, Haley! Read more...
Alabama School of Fine Arts music students are dominating local and state competitions, culminated recently with 50% of the finalists for the prestigious Lois Pickard Music Scholarship Competition, sponsored by the Symphony Volunteer council of the Alabama Symphonic Association, Inc., coming from ASFA. They also became 50% of the winners, with Forrest Moody winning 1st Place in Piano, Joseph Brock 1st Place in Strings, and Trevor Sparks 2nd Place in Brass/ Woodwinds/Percussion. Moody was also honored with the Grand Prize and will perform with the Alabama Symphony Orchestra, as well as receive an additional $1000 scholarship.
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